The cinematography by Nicola Pecorini is drenched in shadow and shafts of sunlight peeking through slits in crumbling mortar. It is a dark vision, but it never feels claustophobic. Pecorini, a camera operator for over twenty years, helped to pioneer the steadicam. This may be the first time he functioned as the head lenser. Oddly, I feel that I am standing almost alone on a hilltop, when I declare that I liked this movie.
Heath Ledger, as Alex Bernier, the young rogue priest, does a fine job of blending a tenacious faith with a rebellious spirit. He is treated by the Catholic Church as an eccentric pariah. After all he preached in Latin, and always had his back to the congregation; part of his consciousness securily rooted in medieval mysticism. His mentor, father/brother Dominic, played by Francesco Carnecutt, had died mysteriously in Rome, and the Church had labeled it a suicide. Ledger was recruited by powerful American Cardinal ( Peter Weller, as Driscoll, who specializes in off-beat roles ), to travel to Rome and to seek out the truth of Dominic's death.
Ledger gathers his team together. He is joined first by Shannyn Sossaman, as the gorgous tragic painter Mara Sinclair. Her role as Magdalene to his rogue rabbi is sometimes hard to comprehend. Perhaps part of the exposition had to be edited out. She loves a man who "can not love me back.". She apparently fell in love with him after she tried to kill him. Alex had performed an exorcism on her brother, criminal minds box set and in a chaotic frenzy, she lost control and attacked him. This cost her a year's incarceration in a mental institution. She emerged clear-eyed, and ready to martyr herself for love. She seemed to be a bit psychic as well. She felt that something "terrible" was going to happen to Alex, and she wanted to be with him. It must have been interesting for this actress to construct a backstory for this character. In the film, she became available for Alex's seduction and carnal transcendence into actual manhood; and then she was sacrificed like a beautiful dove, forcing Alex to accept his fate.
Soon, Ledger is joined by his sole compeer, Mark Addy as father Thomas Garrett. They are the last remnants of their Caroligian Order. They have been trained as demon hunters and exorcists. We see a few lame encounters with demons. The effects are unspectacular, and the conflicts remain muddled and peripheral. Addy attacks his role with verve, energy, and Irish charm; but his character is never fully developed.
In the prologue we were introduced to Benno Furmann as the Sin Eater, the "Other". This plot twist is clever. The Sin Eater is a renegade entity that can offer, for a price, last moment absolution and forgiveness, a guaranteed path to paradise, outside of the Church's jurisdiction. The metaphysical task of devouring sins seems to create immortality. Benno, as William Eden, had existed for more than 500 years, and now it was time for him to pass on the mantle. Alex Bernier had been chosen as his successor from infancy. Every person, every circumstance in Alex's life was placed in his path by Eden. Benno's piercing calmness and intellect belie his dark powers. Was he good or evil, or trapped between them ? Is what he performed a service, a farce, or a sacrifice ?
There is a manic subplot regarding a murderous religious coven that operated in the catacombs. They murdered priests, and they infleunced papal politics. Our discovery that the sons of anarchy season 3 dvd natty Cardinal Driscoll, a candidate for Pope, was the grand wizer of this band of zealous thugs, was yet another loose thread in the fabric of the patchwork plot. But Weller, too, had to accept the responsibility of his actions. When he was betrayed, exiled, disgraced, excommunicated, and facing death, he summoned Bernier. Alex, who had accepted his role as the latest "Other", came to him. There was a Marat Sade suicide scene, and we witnessed the Sin Eater refusing to accommodate the Cardinal; thus damning him, and forcing him to embrace the demons waiting for him in the darkness.
I was left, in the final flickers of this film, angry at the behemoth bureacracy that appeared to be the Catholic Church ( a symbol of all the secret societies and mammoth corporations that wield the power of this world ), and a vague sensation that I had experienced a unique vision of man's journey.
The alternate title of the film was "The Sin Eater" which would be more appropriate for the occasion. Heath Ledger's character, Alex, investigates the mysterious death of the master of his order, and he comes to realise there is a man hiding behind -- Eden, or "the Sin Eater" played by German Benno Furmann ("The Princess and the Warrior"). As Alex and his trusted friend Thomas (Mark Addy) delves the murky case, we know there is a conspiracy behind the thick curtain of ncis dvd set the church.
You see also Ms. Sossamon as Alex's love interest, and Peter Weller as one of the possible successor to the Pope.
It is clear that director Helgeland researched several things about the Catholic church, to make the basis of the film. However, everything is too slow and tedious to grab our attention -- the initial death of the mentor, which should be more grisly or shocking, happens behind the closed door so we are not scared nor interested in it at all. Moreover, the film's script is not effective. Though Shannyn Sossamon and Mark Addy in particlar have no substantial function in the film, they continue showing up over and over again, only to confuse everything.
Worse is the bland acting, and all the actors are guilty of making the film insipid, especially Heath Ledger whose emotionally detached portrayal of Alex is too off-putting for us. And the photography by Nicola Pecorini (famous for Dario Argento films) is also too dark when at night, which does not help, except inducing us to sleep (which I married with children dvd box set did).
But the worst is the idea of using CGIs in this kind of occult films, in which delicately expressed character and carefully handled atmosphere play the vital part in creating the scares. When special effects appear in this film, we know that this is money-enhanced effctes, and that idea on our side instantly kills the potentials of the film. Send them a copy of "The Exorcist" and have them watch 100 times.
They use computer graphics in here that instead of wowing me, just ruined the movie even more. Some people say this movie did horrible in the movie theaters because of how "thought-provoking" and "slow-paced-without-action-because it's an intelligent film" it was. What is so intelligent or thought provokling when the story is basically about pretty boy Heat Ledger that's a priest who has a love interest and disobeys his religion? Oh and there's some mumbo jumbo about thetrue blood dvd "sin-eater" (movie was originally going to be titled "sin-eater"). Lame concept but the movie took the "sin-eater" thing too seriously, making the movie become pathetic and delusional about how dark and intelligent it was. Yeah, I know there were really sin-eaters in the medievel times but this movie just makes it sound cheesy.
Nothing in the movie was executed right and I forget why I even bothered to see this movie. If you want smart horror films watch, Psyho, Rosemary's Baby, The Tenant, Exorcist, Omen, deadwood dvds or any of the Romero "Dead Trilogy" films. But if you want mind-numbingly boring horror, watch the Order. This movie makes church seem like a roller coaster ride.